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Canon has revealed the EOS R5C, a new member of its cinema camera line that looks like a good choice for photos, too. It strongly resembles mirrorless camera, but has a big hump in back to accommodate an active cooling system. As such, it offers most of the benefits of the EOS R5 with none of the overheating issues when shooting 8K or high frame rate 4K video.
On the video side, the EOS R5C can shoot 8K at up to 60fps in Canon's 12-bit RAW LT format using the entire width of the sensor, a big step up from the 8K 30p RAW available on the R5. Better still, it can work at that setting "indefinitely," while the R5 is limited to just 20 minutes at 8K 30p due to overheating issues. It can also handle RAW 6K/60p with a Super 35mm crop and shoot 4K at up to 120 fps with no crop and full AF capability. The latter could use line-skipping like the EOS R5, however.
It also supports ProRes RAW output to an external recorder via the HDMI port at up to 8K/30P. "Proxy data can also be simultaneously recorded to an SD card in-camera, helping to provide efficient post-production operations," Canon said. Unfortunately, it uses micro HDMI rather than a full-sized port — not ideal for a dedicated cinema camera.
Unlike the R5, however, the R5C doesn't have in-body stabilization — so any optical shake reduction for stills or video will only be available via supported lenses. However, the optical lens stabilization can work in concert with Canon's electronic stabilization, with a 1.1x image crop.
On the photography side, the full-frame 45-megapixel sensor is a big plus, as is the 20 fps shooting speed in electronic shutter mode (12 fps with the mechanical shutter). It uses Canon's Dual Pixel autofocus system for both stills and video, along with eye/face detection and subject tracking, so it should offer the same excellent AF performance as the R5. When you flip the camera over to photo mode, all the menus and button settings change accordingly.
It comes with a 3.2-inch variable-angle flip out LCD monitor and 5.76 million-dot viewfinder, the same as the EOS R5. While you get Canon Log 3 for improved dynamic range, the Log 2 option found on other Canon cinema cameras isn't available. Other features include dual card slots (one CFexpress and one SD UHS-II), animal eye detection (cats, dogs, or birds), vehicles detection, a multifunction shoe for microphones and other accessories, a timecode terminal for multi-cam shoots and a DC coupler to provide continuous power.
The EOS R5C will arrive in March for $4,499, a $600 premium over the R5. It's a pretty interesting model as it can do more than some Canon cinema camera models for a lot less money and is much smaller, to boot. At the same time, it might give photo/video hybrid shooters serious pause if they're looking to buy Sony's .
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On the video side, the EOS R5C can shoot 8K at up to 60fps in Canon's 12-bit RAW LT format using the entire width of the sensor, a big step up from the 8K 30p RAW available on the R5. Better still, it can work at that setting "indefinitely," while the R5 is limited to just 20 minutes at 8K 30p due to overheating issues. It can also handle RAW 6K/60p with a Super 35mm crop and shoot 4K at up to 120 fps with no crop and full AF capability. The latter could use line-skipping like the EOS R5, however.
It also supports ProRes RAW output to an external recorder via the HDMI port at up to 8K/30P. "Proxy data can also be simultaneously recorded to an SD card in-camera, helping to provide efficient post-production operations," Canon said. Unfortunately, it uses micro HDMI rather than a full-sized port — not ideal for a dedicated cinema camera.
Unlike the R5, however, the R5C doesn't have in-body stabilization — so any optical shake reduction for stills or video will only be available via supported lenses. However, the optical lens stabilization can work in concert with Canon's electronic stabilization, with a 1.1x image crop.
On the photography side, the full-frame 45-megapixel sensor is a big plus, as is the 20 fps shooting speed in electronic shutter mode (12 fps with the mechanical shutter). It uses Canon's Dual Pixel autofocus system for both stills and video, along with eye/face detection and subject tracking, so it should offer the same excellent AF performance as the R5. When you flip the camera over to photo mode, all the menus and button settings change accordingly.
It comes with a 3.2-inch variable-angle flip out LCD monitor and 5.76 million-dot viewfinder, the same as the EOS R5. While you get Canon Log 3 for improved dynamic range, the Log 2 option found on other Canon cinema cameras isn't available. Other features include dual card slots (one CFexpress and one SD UHS-II), animal eye detection (cats, dogs, or birds), vehicles detection, a multifunction shoe for microphones and other accessories, a timecode terminal for multi-cam shoots and a DC coupler to provide continuous power.
The EOS R5C will arrive in March for $4,499, a $600 premium over the R5. It's a pretty interesting model as it can do more than some Canon cinema camera models for a lot less money and is much smaller, to boot. At the same time, it might give photo/video hybrid shooters serious pause if they're looking to buy Sony's .
Console Bang News!